Rohan
Bastin
is an
Australian anthropologist who teaches at Deakin University. He
has conducted research in Sri Lanka since 1984 and is the author
of The Domain of Constant Excess: Plural Worship at the
Munnesvaram Temples in Sri Lanka (Berghahn Books, 2002). In 2009
he published “Royal Science and Civil War in Sri Lanka: A
Comment on S. Goonatilake” in Contributions to Indian Sociology
(vol. 43, no. 3, pp. 443-67).
Giyani Venya de Silva
worked as a Research Assistant at ICES from August 2009 to July
2010. She graduated from Yale University with a BA in
Anthropology in May 2009, and is currently reading for the MPhil
in Social Anthropology at the University of Oxford. Her research
interests include issues of identity and ethnicity, the politics
of representation, material culture and museum studies.
Ameena Hussein
has written two collections of short stories and one novel. She
was awarded the State Literary Prize in 2005 and her novel
The Moon in the Water was long listed for the first ever Man
Asian Literary Prize and the Dublin Impac Prize in 2010. She is
the co-founder of the Perera Hussein Publishing House, which
publishes cutting-edge Sri Lankan fiction.
Kalana Senaratne
is currently a postgraduate-research student at the Faculty of
Law, University of Hong Kong. He obtained LL.B. and LL.M.
degrees from the University of London, and has worked briefly at
the UNDP (East Timor), the Sri Lankan Ministry of Foreign
Affairs, the Peace Secretariat and the Weeramantry International
Centre for Peace Education and Research (WICPER)
Tissa Jayatilaka is the
Executive Director of the United States-Sri Lanka Fulbright
Commission and a Visiting Lecturer in English at the University
of Sri Jayewardenepura, Sri Lanka. He is a frequent commentator
on domestic and international political and literary themes.
Anupama Mohan
is currently an Assistant Professor in the Department of English
at University of Nevada, Reno. She has published articles in the
broad fields of postcolonial studies, women's literature, and
critical and literary theory. She is currently working on a
monograph on the intersecting literary histories of twentieth
century India and Sri Lanka, of which her article in Nethra
Review is a part.
Michael
Roberts taught at the Department
of History, University of Peradeniya in 1961-2 and from
1966-75. He secured an Alexander von Humboldt Fellowship to
Germany in 1975 and subsequently joined the Department of
Anthropology at the University of Adelaide in 1977. His major
works include Elites, Nationalisms and the Nationalist
Movement in British Ceylon, in Documents of the Ceylon
National Congress, Vol.1, Caste Conflict and Elite
Formation: The Rise of a Karava Elite in Sri Lanka, 1500-1931,
People in Between: The Burghers and the Middle Class in the
Transformations within Sri Lanka, 1790s-1980s.Vol.1,
Exploring Confrontation. Sri Lanka: Politics, Culture and
History, Sinhala Consciousness in the Kandyan Period,
1590s-1818 and Crosscurrents: Sri Lanka and Australia at
Cricket. He has also published numerous articles and
edited several works.
Sarath Rajapatirana
is Vice President (Research) of the Institute of Economic and
Institutional Development. Previously he was with the World Bank
for twenty-five years, where he was an Economic Adviser, a
Division Chief for trade and industry for Latin America and the
Director and Team Leader of the 1987 World Development Report.
Prior to joining the World Bank, he was with the Central Bank of
Sri Lanka where he was Chief of Money and Banking Research. He
is the author/co-author of six books and more than forty papers
published in refereed journals.
Kalinga Tudor Silva
holds a BA degree from the University of Peradeniya and obtained
his PhD from Monash University, Australia. Currently, he serves
as the Executive Director of the International Centre for Ethnic
Studies. He is presently on sabbatical leave from the University
of Peradeniya where he held the positions of Senior Professor of
Sociology and Dean, Faculty of Arts. He has published widely in
Sri Lanka and abroad on various aspects of Sri Lankan society,
including social stratification, poverty, health issues, social
conflict and social policies.
Ramya Chamalie
Jirasinghe’s books include
Rhythm of the Sea and Trinity. She was a runner-up to
the UK Guardian Orange First Words Prize of 2009 and was
shortlisted for the Gratiaen Prize for her manuscripts of poetry
in 1998 and 2007. She won the joint prize of the English
Writer’s Cooperative’s Short Story and Poetry Competition in
1997. Her work has been featured in the TimesOnline UK
2009 selection of contemporary war poetry, the Tipton Poetry
Journal, The Poetry Journal, Osprey and
Channels. She holds a MA in Comparative Literature from SOAS,
University of London. Ramya works at the US-Sri Lanka Fulbright
Commission.
Laban Carrick Hill
is the author of more than 30 books of fiction, nonfiction,
poetry and children’s books. His
Harlem Stomp!: A Cultural History of The Harlem Renaissance
was a 2004 National Book Award Finalist in the U.S. His most
recent book, Dave the Potter was published this year by
Little, Brown & Company.
He is the director of the Ghana Poetry Project, a nonprofit
based in Ghana and the U.S. promoting literary culture in
Africa.
Indika Edirisinghe
is a Project Coordinator and Researcher at the Centre for
Women’s Research (CENWOR), Colombo. A BSc. (Agriculture)
graduate of the University of Peradeniya, she has completed her
Masters in Development Studies at the University of Colombo. Her
broad research interests include youth, employment, urban
poverty and gender. She has conducted macro level and field
based research on issues concerning female factory workers and
women in decision making positions.
Sasanka Perera
is
Professor of Anthropology and Head of the Department of
Sociology at University of Colombo. His research interests
include politics of development, visual culture, memory and
spatial politics. At present, he is working on a book on the
politics of memory in Sri Lanka. He is the Editor of the
South Asia Journal for Culture and the Sinhala language
cultural studies journal, Patitha, and serves on the
editorial board of its Tamil language counterpart, Panuwal.
He writes poetry primarily in the Sinhala language.
Capt. Elmo Jayawardena
won the Gratiaen Prize in 2001 for Sam’s Story and the
State Literary Award for The Last Kingdom of Sinhalay in
2005, and was short-listed for the Singapore Literary Award in
2008 for Rainbows in Braille. He is the Founder President
of CandleAid Lanka, a humanitarian organisation working with
“people in need”. He has been an aviator for more than 40 years,
and currently trains pilots for the Boeing company.
Sumith Chaaminda
completed his
Masters Degree in Political Science under an exchange program
between the University of Colombo and the University of Oslo in
2009. He has worked as a lecturer in Political Science at
University of Colombo, University of Ruhuna and University of
Sabaragamuwa, and is currently a Research Associate at the
International Centre for Ethnic Studies, Colombo.
Dilshan Boange graduated from
University of Colombo with a BA Degree in English (Honours), and
holds a Diploma and a Higher
Diploma in International Relations awarded by the Bandaranaike
Centre for International Studies, Colombo. His academic
interests include comparative
literature, inter-textual studies, modern lyrical prose/fiction,
and contemporary Sri Lankan English fiction. His forthcoming
publication is titled Conciousness: The Writer’s Primary Pen.
Frances
Bulathsinghala, for much of her
career, was a journalist covering political and social issues,
with a focus on the ethnic conflict. She has moved away from
full time journalism to developmental research. She writes short
stories and poetry, and has an interest in script writing.
Paul Melo e Castro
is Leverhulme Early Career Fellow in the Department of Spanish,
Portuguese and Latin American Studies at the University of
Leeds, where he is undertaking a project looking into the
twentieth-century Goan short story in Portuguese.
Dushyanthi Mendis
is a Senior Lecturer at the Department of English, University of
Colombo. She has an MA in Linguistics from Ohio University and a
Phd in Linguistics from the University of Michigan. Her
literature teaching is confined to her Department’s first year
introductory Poetry course, and a course on Sri Lankan
Literature and Language taught at Justus Liebig University,
Germany, while on a DAAD Fellowship. Her primary research
interests are sociolinguistics, discourse analysis and corpus
linguistics.
---------------------------------------------------------------------------------------------------------------------------------------------------------
Regi Siriwardena
(1922-2004), veteran journalist, literary and film critic,
academic, translator, playwright, poet and novelist, was the
Founding Editor of Nethra in 1984, the ICES journal which
he edited until his demise. He read English at
University College, Colombo under
E. F. C. Ludowyk and Doric de
Souza, graduating with a
University of London degree. Regi founded the Department of
English at the former Buddhist seat of higher learning,
Vidyalankara University (now
University of Kelaniya), and was the founder-secretary of
the Civil Rights Movement of Sri Lanka. Working with
Lester James Peries, he wrote the screenplays for the
ground-breaking
Sinhala films,
Gamperaliya and
Golu Hadawatha, while he worked towards the
establishment of the National Film Corporation in 1971. His
publications include Equality and the Religious Traditions of
Asia (1987), Waiting for the Soldier (1989), To
the Muse of Insomnia (1990), Poems and Selected
Translations (1993), Octet: Collected Plays (1995),
The Lost Lenore (1996), Among My Souvenirs (1997),
Working Underground: The LSSP in Wartime (1999), and
The Pure Water of Poetry (1999).
Nishan de Mel,
A.B. Hons. (Harvard), M.Phil (Oxon), D.Phil (Oxon), is an
Economist. He has held several senior policy and research
appointments in Sri Lanka. He was a Member, Presidential Task
Force on Health Reforms (1997); Member, National Steering
Committee on Social Security (1998-2000); Member, Presidential
Committee on Tobacco and Alcohol (1997-2000); and Member, Board
of Directors of the Sri Lanka Foundation (1997-2000). He was a
lecturer in Economics at Oxford University (2002-2007) and a
researcher at the Institute of Policy Studies Sri Lanka
(1996-2000). He served as Executive Director of the Sri Lanka
Foundation Institute (2000) and Executive Director of the
International Centre for Ethnic Studies (2009). Currently, he
serves as Executive Director of Verité Research, Sri Lanka.
Chelva
Kanaganayakam
is
Professor of English at the University of Toronto and
Director, Centre for South Asian Studies. He has published
several books including Structures of Negation: the Writings
of Zulfikar Ghose, Configurations of Exile: South Asian
Writers and their World, Dark Antonyms and Paradise: the
Poetry of Rienzi Crusz, and Counterrealism and Indo-Anglian
Fiction. He is also the editor of the recent ICES
publication
Arbiters of a
National Imaginary: Essays on Sri Lanka - Festschrift for
Professor Ashley Halpé.
Lakmali Jayasinghe
is a first-class English Honours graduate of University of
Peradeniya, Sri Lanka, while she holds a Diploma in Higher
Studies in French Language and Literature with Distinction
awarded by the Alliance Française of Paris, and a Postgraduate
Diploma in International Relations awarded by the Bandaranaike
Centre for International Studies, Sri Lanka. Lakmali is a
Researcher at ICES and the Managing Editor of Nethra Review,
while she is a visiting lecturer at the Department of English,
University of Peradeniya. Her research interests include
comparative literature, gender studies, critical theory and
cultural studies.
Shamanthi Rajasingham
is currently reading for a BA Degree in English (Honours) at
University of Colombo, while she works as a freelance graphic
designer and cartoonist. Her art, which has been exhibited at
the Lionel Wendt Art Gallery in 1999, 2005 and 2006, is
frequently influenced by the surrealist forms of Salvador Dali
and M.C. Escher. She held her debut solo exhibition Surreal
Lines at ICES in 2010. Shamanthi’s academic interests
include gender studies, cultural studies and postcolonial
studies, all of which impact the surreal forms featured in her
art.