Neloufer de
Mel
Every
surface has a frame, and all frames whether they are physical or
discursive shape how we look at, and interpret, what they
contain. The Nethra Review has a physical, surface frame
consisting of an extremely arresting cover. It has a striking
illustration by Shamanthi Rajasingham of a phantasmagoric view
of a city and its environment. The scene is apocalyptic. A
skull, a hand buried in the sand, twisted torsos and preying
fish form the underbelly of a city with high rise buildings and
bridges. It figuratively evokes an idea about the barbarity on
which progress is built (Walter Benjamin, Theses on the
Philosophy of History, VII); or the pollution that
accompanies development. It can even be a fantasy of the global
on the far side, from the dystopic local on the near‐side.
However you choose to interpret this picture, it certainly draws
attention to duality, and to crisis.
Seated
beside the illustration, are the titles of selected essays.
Whether on postwar Sri Lanka, the Tamil Buddhist, the
relationship of history to fiction, the direction of English
studies, or global governance, these titles speak to a
contemporary moment in Sri Lanka. As Sri Lankan readers we know
this, even before we turn to the pages of the Nethra Review,
because of what we recognize in the cover‐frame.
Recognition is produced by what we are already familiar with, by
the norms we have come to accept, by what we have experienced
elsewhere. In this case, the recognition produced this cover
comes from what we know of our postcolonial history, of the
mistakes made in our political and educational policies, of our
thirty‐year
war, and the fierce debates currently taking place about our
post‐war
future. It also comes from what we know of ICES’ founding vision
and its attention to ethnic identity and minority rights,
history, nationalism, culture, and state reform. The cover of
the
Nethra
Review
thereby
becomes a frame of reference. It enables recognition of the type
of articles it contains. But importantly, it also draws
attention to how the
Review
itself – re‐launched,
fresh, emerging – embodies a desire as a dynamic forum on
contemporary Sri Lanka.
In keeping with this vision is the featured essay by Dayan
Jayatilleka titled ‘Postwar Sri Lanka: Prospects for a Durable,
Democratic Peace.’ Jayatilleka offers a structural analysis to
state‐social
relations in Sri Lanka along three axes. The first is a
northsouth axis encompassing the relationship of the north and
south of the country.
Second is the rich‐poor
axis pointing to the country’s uneven development and
distribution of wealth. Third is the country‐world
axis marking Sri Lanka’s external relations. All are
interlinked. According to Jayatilleka these cross‐cutting
axes are supported by a fundamental contradiction between, on
the one hand, a multi‐ethnic
base or substructure, and on the other, a mono‐ethnic
superstructure as currently evinced by the Sri Lankan state.
This contradiction has remained unresolved throughout our
colonial and postcolonial history, although not unaltered. It is
characterized by both continuity and change, ‘the ratio of
which’, according to Jayatilleka, ‘is difficult to determine.’
Taking the reader through various possible post‐war
power arrangements, the author argues from a position he has
often held elsewhere in the print media: that both Sinhala and
Tamil nationalism must be contained in order to build a cohesive
Sri Lanka, and that the grounds of this containment must
necessarily incorporate some accommodation of these
nationalisms. For the Tamil – sufficiently devolved power and
resources is the answer. For the Sinhala, it is the safeguard of
a unitary state, protected by the presence, in the former war
zones, of a professional, rather than ethno‐religious
military. The historic opportunity to transition from war to a
just peace must, according to Jayatilleka, incorporate such a
Realist policy mix.
If Jayatilleka’s essay deals with macro‐level
arrangements involving a re‐drawing
of the political contract itself, Nishan de Mel’s review of
Amartya Sen’s latest book The
Idea of
Justice
highlights
the micro political to show how its insights provide a framework
for realizing justice in the everyday. Sen offers us a history
of ideas on justice from western, middle‐eastern,
African, eastern, and intra‐cultural
thought which account for the plurality of views on it. But this
plurality does not take away from the fact that in every society
there is a pursuit of justice even though we may go about
it in different ways. How is this quest for justice
operationalized? Two significant approaches are noted. The first
sees justice primarily as ‘arrangement focused’ through
institutional building. The drafting and amendment of
constitutions, passing legislature, strengthening law
enforcement agencies etc. would be within this view. The second
pays attention to how justice actually operates in the everyday.
Taken together they stand for Law and Life; and both are
important even though they can produce irreconcilable
contradictions. Taking the reader through Sen’s discussion of
social choice theory with its practical, accommodative,
relational approach, de Mel highlights how it is possible to
agree, for instance, that people have a right to be protected
from violence and brutality ven if it is hard to get agreement
on what the totality of human rights principles should be.
Similarly, while agreement on what the full set of freedoms to
be enjoyed by every citizen is difficult to muster, it is easier
(as happened with the IDP camps in the north) to agree that
restrictions on mobility should be lifted so that the bulk of
civilians could return home. The social choice route to justice
encompasses, then, a
comparative
assessment:
a focus on ‘small justices’ that can have a bigger impact than
grander visions precisely because they are realizable and of
benefit to the daily lives of citizens. Self‐reflexivity
and democracy take place here because even though majority rule
prevails, it does so by taking into account minority views and
needs.
The small
justices stand up to public reasoning precisely by not being
overburdened by the task of achieving perfect justice. What is
particularly compelling about de Mel’s review is that he is able
to contextualize Sen’s main arguments through concrete examples
from Sri Lanka’tragic, recent political history. In this
way he makes abstract ideas on justice accessible to the average
reader, and theory applicable in the everyday. Of particular
importance is that, by offering examples from Sri Lanka to
illustrate Sen’s main arguments, de Mel makes the book which is
not on Sri Lanka per se, utterly relevant to our search for
justice and accountability. Two other books directly related to
Sri Lankan Tamil ethnic identity under review are Sunil
Ariyaratne’s Demala Bauddhaya (The Tamil Buddhist), and
R. Cheran’s edited volume on Tamil nationalism. Demala
Bauddhaya, reviewed by Liyanage Amarakeerthi, sets out to
record Tamil contribution to Buddhist culture, and in turn,
Buddhism’s enrichment of both classical and modern Tamil and
Dravidian literary culture. Amarakeerthi is alert to the
importance of Ariyaratne’s project even if the book is, in his
opinion, a summary or initial exploration of Buddhist‐Sinhala‐Tamil
relations. In a country where exclusionary hard line ethno‐nationalisms
have fuelled both the Sinhala and Tamil polity to violence, a
project such as this, which insists on intercultural relations
becoming part of the popular record, cannot be underestimated.
In a
parallel move, R. Cheran’s edited volume Pathways of Dissent:
Tamil Nationalism
in Sri Lanka
urges us, as
Nira Wickramasinghe points out in her review, to understand
Tamil nationalism as a multifaceted cultural, social and
political movement. Wickramasinghe notes at the outset that in
the light of a current security‐studies
led focus on terrorism which tends to ignore historical and
cultural context, it is important to tarry a little longer with
nationalism as an analytical category. Pathways of Dissent
offers, for instance, an important discussion for
understanding whether a) Tamil nationalism can be viewed in a
continuum from the days of Arumugam Navalar to the LTTE and b)
how the LTTE brand of Tamil nationalism became hegemonic. The
authors in the volume variously focus on how ‘Tamilness’ is a
way of positioning, of Tamil genealogy in the archeological
record, the role of Tamil nationalist literature, Tamil
militancy and political economy. Wickramasinghe draws attention
to an absence in the book (apart from Daniel Bass’s chapter on
Up‐country
Tamils ) to other Tamil voices such as those of Tamil speaking
Muslims and Veddas. This is an erasure that reinforces
‘Tamilness’ as belonging largely to Tamils of the north. But she
concludes that the book remains an important contribution to a
more nuanced understanding of Sri Lankan Tamil nationalism that
does not reduce it to merely a reaction to Sinhala nationalism.
The feature
essay and the reviews noted so far, form one group of writing
directly engaged with Sri Lankan politics and ethno‐nationalisms.
The reviews by Ramani Gunatilaka and Sarath Rajapatirana of
Economic Democracy through Propoor
Growth
edited by Ponna Vignaraja, Susil Sirivardana and Akmal Hussain,
and Trade
Services in South Asia: Opportunities and Risks of
Liberalization
edited by
Saman Kelegama respectively, are welcome additions to this
group. In and of themselves the reviews provide a timely
discussion/critique of developmental methodologies to rural
poverty alleviation on the one hand, and on the other, unpacks
the reasons behind the anxiety over trade liberalization – a hot
topic these days given the controversy surrounding CEPA. Kakoli
Ray’s review of Strobe Talbott’s The Great
Experiment: The Story of Ancient Empires, Modern State and the
Quest for a Global Nation
and David
Harvey’s Cosmopolitanism and the Geographies of Freedom
also belongs to this group. As with Nishan de Mel’s
contextualizing of Amartya Sen’s The
Idea of Justice
for Sri
Lankan readers, Ray asks questions, from the perspectives on
globalization that these books raise, of the ground conditions
in Sri Lanka.
Yet another
group of reviews published in the Nethra Review come from
English departments to highlight creative writing in English and
works of literary criticism. Prof. Ashley Halpé’ reviews the
late Tissa Abeysekera’s collection of three stories entitled
In My Kingdom of the Sun and the Holy Peak to illustrate,
amongst Abeysekera’s other achievements of craft and
sensibility, the author’s versatile use of three epochs of Sri
Lanka’s history. They encompass the last days of the Kandyan
kingdom, the decade before Independence, and the contemporary.
But as Prof. Halpé insightfully notes, each has a ‘distinctly
mythic dimension’ evoked through the use of symbol, mystery, the
supernatural, and dreams; and the author is at the height of his
powers precisely when the mythic, the epic, and history come
together. Walter Perera turns to the ‘Return of the Von Blosses’
in his review of Carl Muller’s latest novel Maudiegirl and
the von Bloss Kitchen not only to take into account Muller’s
narrative achievement in depicting this ‘eccentric, multifaceted
Burgher family’ but also to raise questions about the role of
humour in the depiction of violence from rape to pedophilia to
domestic assault. This is a question that has dogged the
reception of Muller’s previous books. The nature of what this
laughter elicits – sexism, racism, homophobia
‐
still remains valid even if, in this latest book, Perera also
marks a more reflective, redemptive turn that enables a more
favourable representation of this particular, fictional Sri
Lankan Burgher family. John Stifler’s review of Ameena Hussein’s
novel The Moon in the Water points to a couple of its
weaknesses but revels far more in its multiple strengths to
recommend it as an insightful, creative window into a Sri Lankan
Muslim household, and the country’s recent violent history.
Lakmali Jayasinghe sets up a comparative framework to asses the
novels The Inheritance of Loss by Kiran Desai and
Monsoons
and Potholes
by Manuka Wijesinghe, paying attention to how they both chart
the effects of post‐colonial
insurrections with unease, if not disparagement. Wilfred
Jayasuriya’s review of Counterrealism and IndoAnglian
Fiction
by Chelva
Kanaganayakam highlights its analysis of work by Rajiva
Wijesinha and Shyam Selvadurai, and adds Ediriweera
Sarachchandra and Jagath Kumarasinghe to the list of authors
using the magic realist, or counter‐realist
form. With its arsenal of excess, montage, allegory, the
collapsing of past and present, and fantasy and reality, this is
a representational form often used to portray a dystopic social
and political ethos. In his editorial remarks in the Nethra
Review, Chelva Kanaganayakam sounds somewhat apologetic
about this concentration on literature, and goes on to assure
readers that this is coincidental rather than a deliberate
emphasis. But he need not worry. As Maithree Wickramasinghe’s
review of Arbiters of a National Imaginary:
Essays on Sri Lanka – Festschrift for Professor Ashley Halpé
also edited byKanaganayakam highlights, the current multi and
interdisciplinary‐ness
of English studies (acknowledged by Kanaganayakam himself in his
preface to the festschrift) makes it a discipline from which a
variety of perspectives can emerge. This is because, as
Wickramasinghe notes in her review, the plural focus and
disciplinary shifts that have occurred within English studies
enable its practitioners to pay attention to aesthetics, form,
textuality, culture and politics, while adopting diverse
standpoints encompassing postcolonial to feminist, traditional
lit crit. to poststructuralist. Increasingly critical practice
from within English departments have made the connections
between literary narrative and social voice
‐
even as social scientists and anthropologists have moved
towards literature. I am reminded of how, in her book Life
and Words (2006), anthropologist Veena Das repeatedly
returns to Stanley Cavell’s reading of Shakespeare to understand
crowd behaviour, or a character’s obdurate refusal to recognize
his Other, as relevant and useful to her own ethnographic study
of rumour and violence. Literary critical practice today
reflects these disciplinary shifts, and has the capacity to
complement other analytical approaches grounded in other
disciplines. I therefore see a productive complementarity
between the literary reviews and those from economics or
political science.
In the
introduction to the Nethra Review Kanaganayakam also
refers to a frame. He wishes this frame
‐
or content structure for the journal
‐
to not be ‘arbitrary and inflexible’ but attentive to readers’
responses and evolving in content though always relevant to Sri
Lanka. In other words the journal should be popular and
accessible to a variety of informed readers. In this inaugural
issue Kanaganayakam and his team have achieved this. It is
extremely readable – not least because of its very good artwork,
page layout, cartoons, and meticulous proof reading. (Its one
small lapse is the omission of the date of publication of the
books under review). It is also accessible because the book
reviews, which form the bulk of the issue, are interspersed with
a variety of other types of writing. For instance there is a
wonderfully crafted short story by Frances Bulathsinghala on the
friendship of a Sinhala soldier and a Tamil child in the war
zone.
Punyakante Wijenaike, whose observations of intimate family and
gender relations we have come to expect of her tales, has a
short story in this issue entitled ‘House on the Hill’ which
describes the reaction of two parents as they return from their
daughter’s new, posher bridal home. Also included is a mixed
genre piece by Mick Moore titled ‘The Schoolmaster and Somasiri’
which draws on the forms of both short story and anthropological
narrative to great effect to provide a vignette of Sri Lankan
village life that is anything but simple. An excerpt from
a larger study by Kanchuka Dharmasiri of Gamini
Haththotuwegama’s street theatre announces an important
analytical and archival project on this theatre. Also included
are wonderfully evocative translations. Ranjini Obeysekere
continues her important work of bringing Sinhala language
creative writing to English readers through pithy, powerful
translations of three of Liyanage Amarakeerthi’s Ekamath Eka
Pitarataka poems. Excerpts of Shoba Shakthi’s Tamil language
novel Mm with its magic‐realist
vignettes that link Jaffna and the diaspora, and the violence of
incest to that of war are brought to us as raw, shocking and
exhilarating experiences by Sumathy. Both Sinhala and Tamil
originals are provided for the bi‐lingual
reader. The Nethra
Review
thereby offers readers a smorgasbord of writing, and keeps to
its manifesto of bringing to English readers both in Sri Lanka
and abroad, imaginative and scholarly Sinhala and Tamil language
work. In her diary of 18th February 1922, Virginia Woolf wrote:
‘When I read reviews I crush the columns together to get at one
or two sentences. Is it a good book or bad? And then I discount
these two sentences according to what I know of the book and of
the reviewer. But when I write a review I write every sentence
as if it were going to be tried before three Chief Justices.’ As
Woolf’s statement implies, book reviews place both author and
reviewer on trial. The reputations of both can be made or
destroyed. Christopher Hampton’s remark ‘Asking a working writer
what he thinks of a critic is like asking a lamppost what it
thinks of a dog’ has generally summed up the more cynical side
of author‐critic
relations. But what I want to draw attention to is the
meticulousness with which Woolf sets about the task of
reviewing. This sense of responsibility can be found in all the
book reviews published in the Nethra
Review.
They are informative in how they highlight the author’s main
arguments and themes, and in their ability to locate the book
under review in relation to other similar work. They are engaged
in how they relate the books to Sri Lankan preoccupations. The
criticisms they offer are constructive rather than trivializing
or personal. The quality of its reviews is one of the best
achievements of this relaunched
Nethra Review.
The sustainability of the journal in the long run will depend on
how it can continuously cast its net to capture such quality
writing from both Sri Lanka and abroad. I certainly wish the net
reaches far and wide, and the journal a very long life.